Channel-Based with Parallel Processes

This paradigm treats the loudspeaker array as an ensemble of autonomous synthesis agents . Spatiality is not a trajectory through a coordinate system, but an emergent property of parallel signals.

Fundamental Concepts

  • Independent Agency: Each channel runs a discrete instance of a process (e.g., a synth engine) with unique parameters.

  • Spatial Texture: The gestalt arises from the internal morphology and decorrelation between channels .

  • Topological Complexity: The space is defined by the relationship between discrete points of synthesis rather than virtual acoustic scenes.

References

2025

  • Zeyu Yang and Henrik von Coler. Zerr  autogenous spatialization in pd and max. In Proceedings of the Pure Data and Max Convention (PdMaxCon 2025). Urbana-Champaign, IL, 2025.
    [details] [BibTeX▼]

2023

  • Leo Izzo. Edgard varèse's poème Électronique: from the sketches to the sound spatialization. Computer Music Journal, 47(4):5–28, 2023.
    [details] [BibTeX▼]
  • Zeyu Yang and Henrik von Coler. Autogenous spatialization for arbitrary loudspeaker setups. IEEE, 2023.
    [details] [BibTeX▼]

2013

  • Erik Nyström. Topology of form and motion in electroacoustic music. Organised Sound, 18(1):26–35, 2013.
    [details] [BibTeX▼]

1992

  • Iannis Xenakis. Formalized Music: Thought and Mathematics in Composition. Pendragon Press, 1992.
    [details] [BibTeX▼]